Mike Wise, Faking Tweets and Why It’s Not Okay

Cross posted at Sports Grid

Want to make a bunch of sports fans, journalist watch dogs and social media people flip out at the same time? I present to you your new role model: Mike Wise.

Before I launch into a discussion of his antics yesterday, I should say that I actually do appreciate Wise’s writing in my local Washington Post. I read his stuff frequently, and have definitely complimented it within SportsGrid and Mediaite. But I think Wise made a crucial judgment error yesterday when he tried to make Twitter a playground for a inferiority complex display over the way that channel is used surrounding news and rumors.

To catch everyone up, yesterday morning during his radio show on Washington’s FM sports net, The Fan, Wise thought it would be fun to toy with his Twitter followers by posting a few fake rumors. The fake stories were none too salacious (rumors about whether Donovan McNabb would start the Washington Redskins first game, for example), but the one that did take hold and passed around plenty was a claim that Ben Roethlisberger’s suspension would be five games after his meeting with the commissioner later this week.

His motive was to test a theory about what is considered credible and believable on the social status network, that those who have a certain air of authority often are believed fully without further vetting. As he told Dan Levy of Press Coverage yesterday afternoon:

“Bottom line: I picked a lousy way to show we have no credibility in this medium, in the social networking medium, and that nobody checks these things out. It was just not a good way to do it. If i had to do it all over again I would have picked another way.”

That’s the story. And it’s been discussed just about everywhere in the last 24 hours (fellow Post sports writer Dan Steinberg collected most of the responses yesterday evening). Fundamentally, most were upset with Wise for irresponsibly pulling the wool over the eyes of Twitter users, and potentially even using the fake news to drive a growth in new followers. Deadspin got a hold of the “I’m not upset, but I’m disappointed” memo that was passed around the sports staff shortly after the stunt, while others called for Wise’s suspension from the Washington Post.

All of this is well and good, and it looks good for the media organization to try and uphold its pre-set social media guidelines, which are valid. The fundamental benchmark for these guidelines, though, has nothing to do with the channel through which a journalist passes his message. There aren’t different rules for Twitter and Facebook and Foursquare. Regardless of the actual network being used, the Post’s guidelines are about journalism first:

We never abandon the guidelines that govern the separation of news from opinion, the importance of fact and objectivity, the appropriate use of language and tone, and other hallmarks of our brand of journalism.

There is more than one difference between guys like Mike Wise and writers like those I get to join at a blog like SportsGrid. For example, Dan, Glenn and I have all Twitter accounts, but we established these ourselves and no one will really run to the bank on our predictions, no matter what interviews or stories we get here. But for Wise, he gets immediate credibility by way of that Washington Post label – he’s a good journalist, he earned it. And he uses Twitter as a broadcast – look back at his history and you’ll notice little engagement with followers but lots of story streams, often very informed as well.

Wise’s theory was that people on Twitter will trust anything from a credible source, run it without verifying, and he wanted to be able to say how dangerous that could be. What he failed to factor into his experiment was how credibility was earned, which is exactly what he could have jeopardized with his little stunt. Deep down, I’ve convinced myself that Wise wanted to make the famed “blogger in pajamas” point. Instead, he made the “journalists don’t get social media point,” and the evidence of this to me is his “I’m sorry you feel that way,” apology:

He’s only half right on his first point: Mike, nobody checks *your* facts, because you are a sports writer for one of the three most important newspapers in the country. You better believe they will now.

I want to look back at the idea that Wise should be suspended, because I don’t think he should. I feel like he’s a kid who was told not to go climb in a tree, went and did it anyway, and now has a broken arm to show for it. The broken arm is a lesson enough, don’t ground the guy.

Actually, I have a better idea: Instead of squelching Twitter involvement, the Post should force him to take a lesson from guys like Steinberg and engage his followers and those tweeting at him. Maybe if he learned a little more about what conversation is valued, he wouldn’t have had this ridiculous idea in the first place.


Quote of the Day: Errors in Immediate Media

“The cure, or at least a salve, for this condition is transparency, accountability, humility. If The Times is going to publish more and faster, it will have to react faster to rectify more mistakes. “

~Arthur Brisbane, the new Public Editor of the New York Times, in his debut column.

via Regret the Error


Crowdsourcing Gets An Emmy

I’ve used the example of Star Wars Uncut for a lot of things, both on this blog and in my professional life. To me, it’s one of the coolest examples of what the long tail can do when it works together (plus, I also thought it would have made a really nifty use for the soon to be defunct(er) Google Wave). Well, add one more notch in it’s belt – winning an Emmy:

The finished product, “Star Wars Uncut,” won an Emmy last week in a relatively new category, interactive media, heaping new attention onto a project that its producers call a “user-directed broadcast.”

The award is all the more remarkable because, in a world in which television heavyweights likeHBO and NBC mount big-budget campaigns to win Emmys, “Star Wars Uncut” is just a hobby for its creator, Casey Pugh, a 26-year-old Web developer who lives in Brooklyn.

“I’m just so happy that the Internet is taking this step into the broadcast world,” he said in an interview, adding, “It’s partly because broadcast is letting it in.”

The cool part of the story here is how the Television Academy is embracing the interactive channel – truly blurring the lines between content and channel in terms of defining what is considered produced. The new category is a graduation from the pat-on-back events (which are worthy, by the way) like the Webbys. These are all very valid awards, but just as journalists have been forced to recognize bloggers for their value, it is great to see professional television writers do the same with Web producers.

As the producers mentioned during their acceptance speech at the Creative Arts presentations, held just before the main broadcast, “I guess the force was with us.”  That, and hundreds and hundreds of really engaged fans who have the power of content production.


Quote of the Day: As Media Rolls Along

From Dan Shanoff’s excellent piece on the state of sports media, and how things have never been better:

There will always be a “bottom 50 percent” that is lousy — whether you are talking about newspaper sportswriting or blogs or college professors or restaurants or whatever.

But at the top? Things are really really good. Better than they ever have been.


The Art of Fail: The Gold in “0 Views”

I’ve always been a big proponent of the supreme value of content as the best strategy, that is to say, all the techniques, design and Social Media Ninjaing in the world can never make up for crappy guts. That should be scary, in fact, it should be easy to deal with since the costs for creating rough content are bottom of the barrel, which means that even the most harebrained idea, as content, has very little cost for failing.

While thinking about this idea of content fails, and how easy it is to recover from such attempts, I was given a gift via Buzzfeed: a Tumblr dedicated to finding videos on YouTube that have zero views. Zilch. None. And giving them the audience they do (or, more likely, don’t deserve).

For example, let’s take this young fellow who just wanted to rock out some dance moves in his garage with a sketchy neighbor hanging around a pick-up truck across the street:

Loaded and lost forever to the Internet? Maybe. No longer, thanks to 0 Views.

I’m going to watch that a few more times, go ahead if you’d like. While you do it, think about this: for every body wash campaign that blows up with millions of views, there are millions of videos that never see more than a handful. Yet that doesn’t mean the content is crap (ok, in some cases it is). The quality isn’t the idea at stake here, though, it’s the ability. That’s the joy of the digital revolution – creation, not just cultivation – and even in “failure,” it can still have some sort of an impact.


Photographer Whose Photo Was Used for Shepard Fairey’s “HOPE” Drops Suit Against AP

Cross posted at We Love DC

Thinking back to where the last few years have gone, it is at least a little surprising to think that the iconic “HOPE” image of President Obama has been floating around for almost two and a half years. The presence of that image in this city is still very much felt, and the original was purchased by the Smithsonian and now a part of the permanent collection at the National Portrait Gallery.

In the last few years, there has been more than one law suit involving the artist (Shepard Fairey) and the Associated Press, who argued that Fairey’s reimagination of a photo taken by one its contributors, Mannie Garcia, was not only a crucial piece of the work but in fact infringing on the copyright. Countersuits started to fly, and as resolution is still sought on the copyright side of things between the artist and the AP, there was one other point of conflict.

Garcia, local to the DMV and hailing from Kensington, Maryland, filed a claim against the AP about ownership of the photo. The question at hand: as the photographer, should he be the one who reaps any benefit from the suit with Fairey, at least moreso than the organization?  Garcia sued the AP, the AP sued back, and both disputes have been drawn out for some time. No longer: over the weekend, the AP (ironically) reported that Garcia and the AP have each dropped their suits against each other.

The AP and Fairey had yet to settle or head to trial.


Paywall Gets Added to the Oxford Dictionary of English (and Bromance, too)

Friend in dictionary

Great news: the newest round of “words added to the dictionary” has surfaced. There are some choice additions this time around (are you telling me Chill Pill is only getting added now. We didn’t get it in there in, like, 1997?), and many of the new words that are fully embraced within the English language involve technology, social networking and the Internet. Among those to note are freemium (“a business model, especially on the Internet, whereby basic services are provided free of charge while more advanced features must be paid for”), tweetup (“a meeting organized by means of posts on Twitter”) and Interweb (“the Internet”). Of course, the one that gets me the most is the addition of Paywall. It’s new, official definition:

[A]n arrangement whereby access is restricted to users who have paid to subscribe to a website.

I’m not going to focus too much on syntax here, but within those 15 or so words, there is a lot to be analyzed. The idea of paying to subscribe, for example, and the fact that a paywall, in its definition, is a restrictive property. A paywall is not designed to make things available – its intent is to limit access to information to that smaller population. Not only a questionable business model, but really limiting when you think about the media/information sharing nature of what the Internet allows.

As a geeky aside, among other new words I’m excited about is the official entry for Bromance. As defined by Oxford, “a close but non-sexual relationship between two men.” In honor of such an addition, I now unnecessarily embed the excellent ode to bromances from the Scrubs Musical, “Guy Love.” Happy weekend:

Update: The title originally read “Oxford English Dictionary,” and was corrected as this is actually the Oxford Dictionary of English, slightly different, and thanks to Tiffany for pointing out.


Mapping the Series of Tubes Behind the Internet

The folks at SimplyZesty imagine the Internet as a Subway map. Click to enlarge:


Citizen Journalism at its Finest: Amateur Meterology

My Twitter stream is flooding (ha!) with tales of power outages, WMATA hold-ups and flood warnings from around the DMV area this morning. That massive storm that came through was fun to watch if you were inside, but being caught in it could not have been fun.

The other thing I’m realizing is that I never would have even gone to an accredited meterology source like Weather.com if it wasn’t for that linked article I put together for We Love DC. In fact, it’s been a lot more fun to follow local Twitterers as they share the on-the-street happenings and images. Just in the last few minutes I’ve seen shots of Constitution Ave underwater, and probably the best shot of the day will be this Twitpic from the middle of Northwest DC:

The running joke in DC is that “weather has brought us together” this year. I think the overly-connected DC social grid is responsible for that. This is a smartphone town, and the fact that everyone is at the point of something happening makes it really easy to create news – even if it is just about a fast moving Tornadocane. At least among this crowd, it felt like it was smarter to turn to Twitter than the news channels this morning. The information was more valuable (knowing there was a flood at one of the metro stations, what did that mean for the commute) because it came from the people actually affected by inclement weather.

No news organization could pay – nor should they – for that many voices and eyewitnesses. But, as I write this, TBD is killing it by tapping into that network and pushing out updates from others, not trying to make their own. Even moments ago they opened a live chat shows that they are willing to hand over the speaker if needed.

Hey, it’s the weather. We always talk about the weather, right? Someone will say the fact that we’ve moved beyond what we eat on Twitter is progress. Maybe they should log in and realize the value that comes with it.


And the TBD Experiment Begins…

Overnight, the switch on TBD.com was flipped. Instead of a waiting and guessing game for the DC-based hyperlocal media experiment/outlet, we now get a reality to poke and prod around. The bench of staff writers and partner blogs (one of which I write for, We Love DC) will ensure significant content that is both original and from the closest sources to relevant news that matters.

I won’t try to snap judgement today – there is a lot on the site to play around with and I’m just in the shallow end this morning – but, in true hyperlocal form, the best place to start seems to be the story-by-zip-code option. 10 stories already this morning for my Virginia neighborhood; 61 stories close to my D.C. office.

While I continue to poke around and as TBD gets rolling over the next few days, I’ll let Erik Wemple’s Letter from the Editor about the launch take over the last word as it comes to expectations for what could be:

So here it is. A news site. It won’t serve you a cup of coffee, no matter what you click on.


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